Posts Tagged ‘COVER SONGS’

Tune du Jour: “This is Where I Belong” – The Kinks
THE CLASH of Cover Tunes: Frank Black vs. The Lazy Cowgirls vs. Bill Lloyd
VOTE, COMMENT, then do SOMETHING ELSE EQUALLY AS SUBSTANTIAL
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Broc 3 - Cover Me Impressed

Everybody’s Dressin’ Funny … Cover Me Impressed!

 

The Original

 

The Kinks:

Previously Unissued Mix:

 

THE CLASH of Cover Tunes

 

Frank Black vs. The Lazy Cowgirls vs. Bill Lloyd

 

Frank Black:
The Lazy Cowgirls:
Bill Lloyd:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

 

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Wave of Mutilation” – The Pixies
THE CLASH of Cover Tunes: Kristin Hersh vs. Naht vs. OK Go
VOTE, COMMENT, then do SOMETHING ELSE EQUALLY AS SUBSTANTIAL
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Broc 3 - Cover Me Impressed

Everybody’s Dressin’ Funny … Cover Me Impressed!

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The Original

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The Pixies:

Nice stripped down acoustic version by Black Francis:

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THE CLASH of Cover Tunes

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Kristin Hersh vs. Naht vs. OK Go

It was tough picking the three contestants for this song. There are quite a few strong covers of this most excellent of songs.

Kristin Hersh:
Naht:
OK Go:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Tune du Jour: “Johnnie B Goode” – Chuck Berry
THE CLASH of Cover Tunes: 5-Driver vs. Nikki Sudden vs. Yami Bolo
VOTE, COMMENT, then do SOMETHING ELSE EQUALLY AS SUBSTANTIAL
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Broc 3 - Cover Me Impressed

Everybody’s Dressin’ Funny … Cover Me Impressed!

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The Original

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Chuck Berry:

Very Nice Live Version:

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THE CLASH of Cover Tunes

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5-Driver vs. Nikki Sudden vs. Yami Bolo

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5-Driver:
Nikki Sudden:
Yami Bolo:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Tune du Jour: “House of the Rising Sun” – Traditional
THE CLASH of Cover Tunes: Adolescents vs. John Otway vs. Nina Simone
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broccoli For Miles And Miles And Miles And Miles And Miles ... Oh Yeah!

Oh Mother, Tell Your Children,
Not to Do What I Have Done,
Spend Your Life Devouring Broccoli,
In the House of the Rising Sun

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The House of the Rising Sun is a traditional folk song. Its origin may date back as far as the 16th century, sharing some thematic resemblance to the British ballad, The Unfortunate Rake. The oldest known recording of the song, under the title Rising Sun Blues, is by Appalachian artists Clarence “Tom” Ashley and Gwen Foster, who recorded it for Vocalion Records on September 6, 1933. The most successful commercial version, recorded in 1964 by the British rock group The Animals, was a number one hit on the UK Singles Chart as well as in the United States, Canada and Australia. The Animals version of the song has been described as the “first folk-rock hit”.

Earliest Known Recording

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Clarence “Tom” Ashley and Gwen Foster:

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The Most Popular

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The Animals:

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THE CLASH of Cover Tunes

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Adolescents vs. John Otway vs. Nina Simone

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Adolescents:
John Otway (with substantial audience participation):
Nina Simone:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

SPACE

Disclaimer: Votes cast from Florida may or may not be counted.

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Tune du Jour: “Suzanne” – Leonard Cohen
THE CLASH of Cover Tunes: Nick Cave vs. Ian McCulloch vs. Parasites
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broc 3 - Cover Me Impressed

Broccoli Fields Forever …

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The Original

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Leonard Cohen:

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THE CLASH of Cover Tunes

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Nick Cave vs. Ian McCulloch vs. Parasites

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Nick Cavwith Perla Batalla & Julie Christenson:

Not since the days of Tom Jones has the music world been blessed with a man who can croon and gyrate as this suave fellow!

Ian McCulloch:
Parasites:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

SPACE

Disclaimer: Votes cast from Florida may or may not be counted.

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Tune du Jour: “All Tomorrow’s Parties” – The Velvet Underground
THE CLASH of Cover Tunes: Buffalo Tom vs. The Special Agents vs. June Tabor & the Oysterband
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broc 3 - Cover Me Impressed

Broccoli For Miles and Miles and Miles and Miles and Miles … Oh Yeah!

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The Original

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The Velvet Underground:

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THE CLASH of Cover Tunes

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Buffalo Tom vs. The Special Agents vs. June Tabor & the Oysterband

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Buffalo Tom:
The Special Agents:
June Tabor & the Oysterband:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

SPACE

Disclaimer: Votes cast from Florida may or may not be counted.

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A Tribute to David Bowie (1947 – 2016)
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Oh Look Out You Rock ‘n’ Rollers, Pretty Soon You’re Gonna Get Older…

What could you say? Last night we lost an icon, innovator, genius. David Bowie will surely be long remembered as one of the most talented, creative and bizarre musicians of our lifetime!

Enjoy a bevy of tributes to David Bowie. The styles and genres of these cover songs are as diverse as the man himself.

Absolute Beginners

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Carla Bruni:

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Ashes to Ashes

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Paul Dempsey:

Hezekiah Jones:
Happy Rhodes:

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All the Young Dudes

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Billy Bragg & Jill Sobule:
World Party:

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Changes

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Echo and the Bunnymen with Sharleen Spiteri:
The Illinois State University’s Clef Hangers:

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Heroes

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Magnetic Fields:
The Coal Porters:
Nico:

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It Ain’t Easy

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Hazel:
Kelly Hogan & Robbie Fulks:

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Jean Genie

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Camp Freddy:

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Kooks

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Brett Smiley:

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Life on Mars

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Robyn Hitchcock:
Ukulele Orchestra of Great Britain:
And of course it would not be a proper tribute without … ABBA!!!:

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Moonage Daydream

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J. Hell:

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Oh You Pretty Things

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Jun Jun Clinic:

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Rebel Rebel

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Iggy Pop & Lenny Kravitz:

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Sound and Vision

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Beck:

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Space Oddity

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Real-Life Astronaut, Commander Chris Hadfield:

(Shatner cannot be happy over this infringement of his territory!)

John Otway:

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Starman

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of Montreal:
Arcadian Walnut:

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Under Pressure

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Flaming Lips:

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Watch that Man

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The Fur Ones:

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Ziggy Stardust

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Def Leppard:
Massacre:

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A Late Addition

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“Life on Mars” happens to be one of my favorite Bowie songs. So when I saw this interesting rendition, I just had to add it to the tribute. Reminds me of the classic Procol Harem church scene in “The Commitments”.

By the way, if anyone has a favorite Bowie cover that is not included then please let me know. If possible I will add it.
Nicholas Freestone (organ scholar at St Albans Cathedral in Hertfordshire):
The Commitments: Jimmy Rabbitte (Robert Arkins) and Steven ‘Soul Surgeon’ Clifford (Michael Ahern):

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Another Late Addition

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This next video is proof-positive of just how cool David Bowie was. From The Cher Show, Bowie and Cher begin a set collaborating on Young Americans, which is weird enough. But things turn completely bizarre as Young Americans morphs into a very long medley of bad songs. Bowie had to be suppressing laughter throughout yet on the exterior appears way-cool to the nth degree. Now I ask you, how many musicians could have pulled this off without looking completely ridiculous?

David Bowie on The Cher Show (November 23rd 1975):

 

Tune du Jour: “Paranoid” – Black Sabbath
THE CLASH of Cover Tunes: Ruder Than You vs. Soft Cell
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Paranoid was released in 1970 on Black Sabbath’s second album, which was also titled Paranoid. The song’s popularity in the US started slowly – reaching only as high as number 61 on the U.S. Billboard Hot 100 – but built over time as album rock radio stations played it incessantly. On the other hand, the U.K. fell in love with it immediately.  Paranoid reached number four on the U.K. Singles Chart in 1970 and, amazingly, appeared on that same chart again in 1980, breaking into the Top 20. In fact, unlike the U.S., Paranoid was an immediate success throughout Europe and South Africa. 

Broccoli For Miles And Miles And Miles And Miles And Miles ... Oh Yeah!

Broccoli For Miles
And Miles And Miles
And Miles And Miles …
Oh Yeah!

Among Paranoid’s awards:

1976, NME (United Kingdom) ranked it number 41 on their All Time Top 100 Singles list.

1989, Spin (United States) ranked it number 81 on their 100 Greatest Singles of All Time list.

1989, Radio Veronica (Netherlands) ranked it number 16 on their Super All-Time List.

1994, the Rock and Roll Hall of Fame (United States) named it to their The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll list.

1998, Guitarist (United Kingdom) ranked it number 84 on their Top 100 Guitar Solos of All-Time list.

2004, Rolling Stone (United States) ranked it number 250 on their 500 Greatest Songs of All Time list.

2004, Q (United Kingdom) named it to their 1010 Songs You Must Own! list.

2006, Q ranked it number 100 on their 100 Greatest Songs of All Time list.

2006, VH1 (United States) ranked it number 34 on their 40 Greatest Metal Songs list.

2008, VH1 ranked it number 4 on their 100 Greatest Hard Rock Songs list.

Paranoid is generally thought of as Black Sabbath’s crowning achievement. Yet, it almost did not come to be. According to Black Sabbath’s bass player, Geezer Butler:

“A lot of the Paranoid album was written around the time of our first album,Black Sabbath. We recorded the whole thing in about 2 or 3 days, live in the studio. The song Paranoid was written as an afterthought. We basically needed a 3 minute filler for the album, and Tony came up with the riff. I quickly did the lyrics, and Ozzy was reading them as he was singing.”

And that my friends is how you compose a heavy metal anthem! Can you imagine a world without Paranoid?

The Original

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Black Sabbath:

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THE CLASH of Cover Tunes

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Ruder Than You vs. Soft Cell
Ruder Than You:

Ruder Than You holds the distinction of being CMI’s Reigning Exultant Virtuosic Performer of “Paranoid”. Additionally, Ruder Than You is also a recipient of CMI’s universally coveted title of Uni-Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold orange!

Ruder Than You’s triumph in CMI’s THE CLASH of Cover Tunes competition is detailed below:

11/6/2013 – “Paranoid” (Black Sabbath) – Ruder Than You (71%) expunge The Dickies (29%)

Soft Cell:

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “When The Ship Comes In” – Bob Dylan
THE CLASH of Cover Tunes: 
David Franklin vs. The Clancy Brothers and Robbie O’Connell with Tommy Makem
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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You used to be so amused, At Broccoli Man, and the carrot for a guitar he used ...

You used to be so amused,
At Broccoli Man,
and the carrot for a guitar he used …

When The Ship Comes In appears on Bob Dylan’s third album, The Times They Are A-Changin’, released in 1964. According to Joan Baez, Dylan wrote When The Ship Comes In in a hotel room, incensed, after the clerk initially denied him a room. The clerk had felt the remarkably unkempt Mr. Dylan was not the type of guest the establishment preferred to accommodate. Baez, who was traveling with Dylan, had to intervene on his behalf, vouching for his “good character”.

According to Dylan’s old girlfriend, Suze Motolo, as well as his biographer, Clinton Heylin, an additional inspiration for the song was probably Bertolt Brecht/Kurt Weill’s song, Pirate Jenny. Pirate Jenny, from the Threepenny Opera, tells of Jenny’s dark dream of a mysterious ship that arrives to vanquish her foes.

While these suppositions represent the generally accepted beliefs on the origin of the song, in fact, Dylan’s inspiration for When The Ship Comes In was actually the celebrated composition, I’ll No Longer Shave For You, by the criminally underappreciated Gatorwood Sunshine Singers, a tune that, oddly enough, would not be written until decades later.

The Original

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Bob Dylan:

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THE CLASH of Cover Tunes

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David Franklin vs. The Clancy Brothers and Robbie O’Connell with special guest Tommy Makem

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David Franklin:
The Clancy Brothers and Robbie O’Connell with special guest Tommy Makem:

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Have You Ever Seen the Rain” – Creedence Clearwater Revival
THE CLASH of Cover Tunes: The Ramones vs. Hi-Standard
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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GREAT SONG! Along with Fortunate Son probably Creedence Clearwater Revival’s two greatest numbers (although I’ve also always had a soft spot for Someday Never Comes and Long as I Can See the Light as well). Have You Ever Seen the Rain  was written by John Fogerty and released as a single in 1971. It had originally appeared on Creedence Clearwater Revival’s album Pendulum, released in 1970. The song charted highest in Canada, reaching number one on the RPM 100 national album chart in March 1971. In the US, it peaked at number eight on the Billboard Hot 100 singles chart. And it reached number 36 on the UK’s Pop Singles Chart.

I'm Hooked On The Ceiling I'm High On Believing That You're In Love With Me

It Ain’t Me
I’m Broccoli
I Ain’t No Fortunate One!

Given the polarizing and contentious time in which Have You Ever Seen The Rain was written there has been much speculation as to the true meaning of the song. At the time the US was entangled in a seemingly endless unpopular war and the nation was struggling to make sense of the Kent State shootings. Not surprisingly, most music critics attributed the lyrics to the political and social turmoil of the day. Writing about the song, Have You Ever Seen The Rain, Mark Denning of AllMusic surmised:

“In 1970, a time when the giddy possibilities of political and social change of the late ’60s had been put in check by the sobering realities of Altamont and Kent State and both rock & roll and the youth culture at large were beginning to move away from idealism and into the self-centered decadence of the ’70s, Fogerty was one of the few songwriters grounded enough to suggest the issues had not gone away, but that we had lost the courage and the vision to face up to them.”

Yet, interestingly, Fogerty has stated on more than one occasion that the song had nothing to do with political and societal issues. He contends that it was his lament of the turmoil taking place within the band, Creedence Clearwater Revival. At the time, despite having achieved fame and fortune, the members of the band were in a state of constant conflict with each other. It was particularly upsetting that his brother, Tom, was so dissatisfied that Fogerty felt sure he would soon leave the band. Fogerty’s perception turned out to be accurate. Not only did Tom leave, but the whole band split up the following year.

The Original

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Credence Clearwater Revival:

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THE CLASH of Cover Tunes

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The Ramones vs. Hi-Standard

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The Ramones:

The Ramones hold the distinction of being CMI’s Reigning Exultant Virtuosic Performer of “Have You Ever Seen The Rain“. Additionally, The Ramones are also a recipient of CMI’s universally coveted title of Uni-Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold gold!

The Ramones’ triumphal exploits in CMI’s THE CLASH of Cover Tunes competitions are detailed below:

1/30/2014 – “Have You Ever Seen Rain” (Creedence Clearwater Revival) – Ramones (80%) wallop Minutemen (20%)

Hi-Standard:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.