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Cover Me Impressed
With a focus on the 60's-90's music scene, CMI is a Paradiso for Lovers Cover Songs! Each post focuses on a particular song and provides its original and most popular recordings as well as covers versions. Patrons of CMI vote on the most deserving cover version, which will then live to compete again, battling other cover songs in a future post.
Bands, musicians, troubadours, and their ilk, submit your cover songs for future CMI competitions.
CMI welcomes the opportunity to introduce new artists.
Contact RDubbs at RDubbsTunage@gmail.com
Music Genres?
We've Got 'em Covered ...
Rock / Alt-Rock / Rock 'n Roll / Rockabilly / Indie Pop / New Wave / Old Wave / Surf / Reggae / Ska / Punk Rock / Psychobilly / Cowpunk / Alt-Country / Bluegrass / Folk / Croon-Tunes / A Cappella / Motown / Gospel / Blues / Rhythm & Blues / Jazz / Big Band / Lounge / Classical / Celtic / Bossa Nova / Worldbeat / Show Tunes / Cartoons / Bizarro / Musical Calamities
Southside Johnny & the Asbury Jukes vs. Badly Drawn Boy vs. Marshall Crenshaw
Southside Johnny & the Asbury Jukes:
Badly Drawn Boy:
Marshall Crenshaw:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
Flamin’ Groovies vs. REO Brothers vs. Billy Bragg vs. Stone Temple Pilots
Flamin’ Groovies:
REO Brothers:
Billy Bragg:
Stone Temple Pilots:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
Dick Gaughan vs. Oysterband vs. Lehto and Wright feat. Matt Jacobs vs. Billy Bragg
Dick Gaughan:
Oysterband:
Lehto and Wright feat. Matt Jacobs:
Billy Bragg:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
David Bowie wanted to help out his buddy, Ian Hunter and his band Mott the Hoople, so he wrote “Suffragette City” for them to use. Ian said ‘thanks, but I’m looking for something better’. As the story goes, Bowie sat in the middle of his living room floor, cross-legged, all night, and by morning he had completed “All the Young Dudes”.
This rock ‘n’ roll anthem consistently finds its way onto critic’s lists for best rock songs of all time.
The Original
Mott the Hoople:
And The Guy Who Wrote It
Bowie waited two years before he played it live:
And this is from the Freddie Mercury Tribute Aids Awareness Concert. It features an all-star cast of Bowie, Ian Hunter, Mick Ronson and Queen. This classic clip also includes Bowie’s “Heroes” and ends with a touching tribute from Bowie to Freddie and all others with Aids:
I have never been a fan of Queen but my son, Sayed, insisted that I watch the movie “Bohemian Rhapsody”. He said I would enjoy it regardless. Man was he right! It is an excellent film. And I never thought I would say this but I just might be a fan of Queen now …
THE CLASH of Cover Tunes
Well … after those clips these bands have their work cut out for them with their covers. But I think you’ll find that they all acquit themselves quite well.
Robyn Hitchcock vs. Billy Bragg & Jill Sobule vs. Matthew Sweet & Susanna Hoffs
Robyn Hitchcock:
This was an encore performance at a show in 2011 at the Three Kings pub in London, a show in which Robyn and company played the entire Beatles’ album “Revolver”. Yeah, what would you have given to be at that show!
Billy Bragg & Jill Sobule:
Matthew Sweet & Susanna Hoffs:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
The duet between Shane and Kirsty is simply magnificent!!! What a masterpiece!!!
The Pogues:
THE CLASH of Cover Tunes
There are so many fine artists that paid homage to this song, it was ridiculous narrowing it down to three.
Amy McDonald and Dave Ruffy vs. Puddles Pity Party feat Storm Large vs. Billy Bragg & Florence and The Machine
Amy McDonald and Dave Ruffy:
Puddles Pity Party feat Storm Large:
Billy Bragg & Florence and The Machine:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
California is a garden of Eden, A paradise to live in or see. But believe it or not, You won’t find it so hot, If you ain’t got the broccoli
During the spring of 1995, Woody Guthrie’s daughter Nora contacted British urban folk troubadour Billy Bragg about writing music for a selection of completed Guthrie lyrics. This was no minor task – Guthrie left behind over a thousand sets of complete lyrics written between 1939 and 1967 that had no music other than a vague stylistic notation. Bragg chose a number of songs to finish, as did Jeff Tweedy of the alt-country band Wilco (often with bandmate Jay Bennett). Nora impressed a common goal upon them: Rather than recreating Guthrie tunes, they should write as if they were collaborating with Woody, creating new, vital music for the lyrics. Both artists completed more songs than could fit on Mermaid Avenue, which is neatly split between Bragg and Wilco, with Bragg taking lead on eight of the 15 songs. (Stephen Thomas Erlewine – AllMusic)
As stated, Bragg and Tweedy completed more songs than they could fit on Mermaid Avenue, released in June 1998 to very favorable reviews and public acceptance.Thus, a sequel, Mermaid Avenue Vol. 2, was released in May 2000. All You Fascists was included on the Vol. 2 release (the title of the song was shortened on the album).
It’s actually odd that All You Fascists was included in the project. Woody not only put music to the lyrics but also released a recording of it on a radio broadcast in 1944. I suspect Bragg just could not help himself from recording his own version.
The Original
Woody Guthrie with Alan Lomax and Sonny Terry:
Unfortunately a very timely song. Then again, sadly, at what time in history would it not have been?
The Mermaid Avenue Version
Billy Bragg & Wilco:
THE CLASH of Cover Tunes
Bad Movies vs. The Deadly Gentlemen vs. Rude & The Lickshots
Bad Movies:
The Deadly Gentlemen:
Rude & The Lickshots:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Disclaimer: Votes cast from Florida may or may not be counted.
Sam Cooke wrote A Change Is Gonna Come in December 1963. Cooke’s previous work had been in gospel music and, later, soulful pop songs that were sentimental and, at times, satirical in nature. A Change Is Gonna Come was markedly different from anything Cooke had ever composed before. The song is defiant in nature, emphatic that a change for long-suffering African Americans “is gonna come”. Cooke wrote A Change Is Gonna Come in response to an ugly incident he endured in October 1963. Cooke and his band were touring the south and had reservations at a Holiday Inn in Shreveport, Louisiana. When they arrived they were told that no rooms were available; it was obvious that the hotel had rooms available but was a whites-only establishment, which was the real reason Cooke’s reservations would not be honored. Cooke was furious and let the manager know it. When Cooke drove off in search of another hotel, a police car followed and arrested him for disturbing the peace. Not surprisingly he was traumatized by the overtly racist treatment. Another inspiration in Cooke writing such a blunt song about racial inequality was his admiration for Bob Dylan’s masterpiece, Blowin’ In The Wind, which was released in August 1963. Cooke was captivated by the song’s frank admonishment of racism and was said to be a bit ashamed that a white man was speaking out for the black community while he had yet to make any statement at all. Indeed, Cooke told his producer, J.W. Alexander, that he hoped A Change Is Gonna Come would make his father proud.
Everybody’s Dressin’ Funny … Cover Me Impressed!
Sam Cooke debuted A Change Is Gonna Come on The Tonight Show With Johnny Carson on February 7, 1964. It would be the only time he ever performed the song. The musical accompaniment was complex and its essence foreboding and somewhat frightening. After hearing it on The Tonight Show, Cooke’s friend and protege, Bobby Womack, told him that the song sounded “like death.” Cooke responded, “Man, that’s kind of how it sounds like to me. That’s why I’m never going to play it in public.” Womack clarified his thoughts, that it wasn’t deathly, but rather “spooky,” but Cooke never performed the song again.
A Change Is Gonna Come was released on December 22, 1964. Tragically, under circumstances that to this day are still mysterious, Sam Cooke had been shot and killed on December 11, 1964, at the Hacienda Motel in Los Angeles, California. He was but 33 years of age at the time.
Though only a moderate success in terms of sales, A Change Is Gonna Come is widely recognized as Sam Cooke’s seminal work. Not surprisingly the song became a staple for the country’s rising civil rights movement.
The Original
Sam Cooke:
THE CLASH of Cover Tunes
Billy Bragg vs. Mike Farris & Roseland Rhythm Review vs. The Gits
Billy Bragg:
Mike Farris & Roseland Rhythm Review:
The Gits:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Disclaimer: Votes cast from Florida may or may not be counted.
While not a huge fan of most of her work, it’s impossible not to admire Kirsty MacColl. Hell, any musician worthy of working with Billy Bragg, Talking Heads, The Smiths and, most of all, The Pogues, has earned my respect. And while on stage she always looked to be having a grand time, a sentiment that is foreign to many “important” musicians. “Fairytale of New York” is an enduring masterpiece and, of course, it is MacColl who expertly croons and trades barbs with Shane MacGowan in the song. If that were her only musical accomplishment then I’d still consider her a special talent for contributing to a pitch-perfect, raucous, yet sentimental ballad.
Billy Bragg’s “A New England” is far superior to any cover I’ve heard of the song. Still, it is worth noting that Kirsty MacColl actually enjoyed the most commercial success from the song. A year after Bragg included “A New England” on his 1983 album, Life’s A Riot With Spy vs. Spy, MacColl released it as a single. She obviously had Bragg’s blessing in that, at her behest, he wrote additional verses for her, which she consolidated into one closing verse. “A New England” became MacColl’s biggest hit, reaching number 7 in the UK Singles Chart and number 8 in the Irish Singles Chart. In 2000, MacColl tragically died while saving the life of her son during a boating accident. In tribute to Kirsty MacColl, Bragg subsequently began including the additional verse during performances of the song.
THE CLASH of Cover Tunes
Across the Border vs. The King Blues vs. Too Much Joy
Across the Border:
The King Blues:
Too Much Joy:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!?
Disclaimer: Votes cast from Florida may or may not be counted.
cover me impressed 