Posts Tagged ‘COVER SONGS’

Runoff du Jour: “The Night Chicago Died” – Paper Lace
THE CLASH of Cover Tunes Runoff: No Empathy vs. Yo La Tengo
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Everybody's Dressin' Funny ... Cover Me Impressed!

Everybody’s Dressin’ Funny … Cover Me Impressed!

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7-Day results of the competition between No Empathy and Yo La Tengo covering “The Night Chicago Died” by Paper Lace ended in a tie.

However, THERE ARE NO TIES ON COVER ME IMPRESSED!

Hence, a 3-Day runoff to settle the issue. If the runoff should also end in a tie then I’ll be forced to contract a maiming of all musicians concerned (i.e. Paper Lace, No Empathy and Yo La Tengo) and at least one individual totally unrelated to the proceedings (probably Billy Joel), which may seem a bit harsh and arbitrary but, hell, some things just have to be done …

The Original

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Many would argue that The Night Chicago Died is the worst song of all time. However, they’d be wrong. The song’s potential for infamy is limited to possibly being the second worst song of all time as Billy, Don’t Be A Hero currently and mostly likely always will hold the distinction of being the worst the music world has ever produced. Amazingly, both abominations were first recorded by the same band, the all-time abysmal “Paper Lace”.

The Night Chicago Died reached number one on the Billboard Hot 100 chart for one week in 1974, reached number 3 in the UK charts, and number 2 in Canada. And why not? This assault on one’s sensibilities had everything you’d look for in a 1970’s hit: rudimentary, grade-school level verses, lyrics teeming with sappy emotion, a simple John Wayne good guys always win in the end patriotic mentality, a catchy chorus that stays with you like herpes and some electric guitar licks to enforce just how hip the song and, by extension, its listeners must truly be.

“Paper Lace” sent a copy of The Night Chicago Died to then Mayor Richard J. Daley who apparently hated it. So at least there is one minute reason to extend a very small modicom of respect to the man.

Paper Lace:

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THE CLASH of Cover Tunes

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No Empathy vs. Yo La Tengo

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No Empathy:
Yo La Tengo:

Beginning in 1996, Yo La Tengo supported the fundraising efforts of New York’s world-renowned independent radio outlet WFMU with annual studio visits. All listeners who pledged money during the band’s appearances were offered the chance to request a favorite song that Yo La Tengo would then attempt to perform; no rehearsals, no advance word of what the requests might be, just plug it in and kick it out. The spontaneous element is impressive and, at times, hysterical. It is from one of these sessions that Yo La Tengo’s version of The Night Chicago Died was produced.

Yo La Tengo is a recipient of CMI’s universally coveted title of Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow.

Yo La Tengo’s triumphal performance in CMI’s THE CLASH of Cover Tunes competition is detailed below:

10/1/2013 – “Somebody’s Baby” (Jackson Browne) – Yo La Tengo (90%) annihilate The Gamits (10%)

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Instant Karma!” – John Lennon
THE CLASH of Cover Tunes: Midnight Oil vs. Paul Weller
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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So Where Are the Strong, And Who Are the Trusted, And Where is the Broccoli, Sweet Broccoli!

Who In The Hell Do You Think You Are?  A Broccoli Stalk?  Well, Right You Are!

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Instant Karma! was written by John Lennon and released In February 1970. The song was written, recorded and released within a period of ten days, making it one of the fastest-released songs in pop music history. Instant Karma! reached the top 5 on the UK and US singles charts, becoming the first solo single by a former member of the Beatles to sell a million copies.

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The Original

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John Lennon:

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THE CLASH of Cover Tunes

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Midnight Oil vs. Paul Weller

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Midnight Oil:

Paul Weller:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “This Town” – Frank Sinatra
THE CLASH of Cover Tunes: Gnome vs. The Tubes
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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I've been a Puppet, a Pauper, a Pirate, a Poet, a Broccoli Man ...

I’ve been a Puppet, a Pauper, a Pirate, a Poet, a Broccoli Man …

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Written by Lee Hazlewood, This Town was first recorded by Nancy Sinatra in 1967. Old Blue Eyes was apparently intrigued by the tune and whatever Big Pops wants, Big Pops gets, releasing his own version in September 1967 on the album “Frank Sinatra and The World We Knew”. Although I’ve found no evidence that This Town was a “hit” by any conventional standards, apparently when Big Pops proclaims a song to be a hit, it’s a hit, as evidenced by its inclusion a year later on “Frank Sinatra’s Greatest Hits”.

The Original

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Nancy Sinatra:

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The Most Popular

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Frank Sinatra:

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THE CLASH of Cover Tunes

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Gnome vs. The Tubes

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Gnome:

The Tubes:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “The Night Chicago Died” – Paper Lace
THE CLASH of Cover Tunes: No Empathy vs. Yo La Tengo
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Everybody's Dressin' Funny ... Cover Me Impressed!

Everybody’s Dressin’ Funny … Cover Me Impressed!

Many would argue that The Night Chicago Died is the worst song of all time. However, they’d be wrong. The song’s potential for infamy is limited to possibly being the second worst song of all time as Billy, Don’t Be A Hero currently and mostly likely always will hold the distinction of being the worst the music world has ever produced. Amazingly, both abominations were first recorded by the same band, the all-time abysmal “Paper Lace”.

The Night Chicago Died reached number one on the Billboard Hot 100 chart for one week in 1974, reached number 3 in the UK charts, and number 2 in Canada. And why not? This assault on one’s sensibilities had everything you’d look for in a 1970’s hit: rudimentary, grade-school level verses, lyrics teeming with sappy emotion, a simple John Wayne good guys always win in the end patriotic mentality, a catchy chorus that stays with you like herpes and some electric guitar licks to enforce just how hip the song and, by extension, its listeners must truly be.

“Paper Lace” sent a copy of The Night Chicago Died to then Mayor Richard J. Daley who apparently hated it. So at least there is one minute reason to extend a very small modicom of respect to the man.

The Original

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Paper Lace:

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THE CLASH of Cover Tunes

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No Empathy vs. Yo La Tengo

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No Empathy:
Yo La Tengo:

Beginning in 1996, Yo La Tengo supported the fundraising efforts of New York’s world-renowned independent radio outlet WFMU with annual studio visits. All listeners who pledged money during the band’s appearances were offered the chance to request a favorite song that Yo La Tengo would then attempt to perform; no rehearsals, no advance word of what the requests might be, just plug it in and kick it out. The spontaneous element is impressive and, at times, hysterical. It is from one of these sessions that Yo La Tengo’s version of The Night Chicago Died was produced.

Yo La Tengo is a recipient of CMI’s universally coveted title of Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow.

Yo La Tengo’s triumphal performance in CMI’s THE CLASH of Cover Tunes competition is detailed below:

10/1/2013 – “Somebody’s Baby” (Jackson Browne) – Yo La Tengo (90%) annihilate The Gamits (10%)

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Will the Circle Be Unbroken” – The Carter Family
THE CLASH of Cover Tunes: Mike Farris vs. Ken Parker
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broccoli Fields Forever ...

Broccoli Fields Forever …

Will the Circle Be Unbroken? is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song pertains to loved ones now departed and the hopeful reunion with them in an afterlife. It is generally played to be uplifting to the congregation, and is a frequent standard in gospel revivals. Will the Circle Be Unbroken? was first recorded in 1912 by William McEwan.

In 1935, A.P. Carter, founder of “The Carter Family”, revised and added to the lyrics of Will the Circle Be Unbroken?, reworking it into a song concerning the death, funeral, and mourning of the narrator’s mother. Carter named his revised version Can the Circle Be Unbroken?. As others later covered his song, Carter’s revised version subsequently became most often referred to by its original name, Will the Circle Be Unbroken?. The version of the song most often played today is Carter’s but under the title of Will the Circle Be Unbroken?.

The Original

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The Carter Family:

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THE CLASH of Cover Tunes

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Mike Farris vs. Ken Parker

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Mike Farris & The Roseland Rhythm Revue featuring the McCrary Sisters:
Ken Parker:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Treatment Bound” – The Replacements
THE CLASH of Cover Tunes: Asylum Street Spankers vs. Bright Little Field
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Everybody's Dressin' Funny ... Cover Me Impressed!

Everybody’s Dressin’ Funny … Cover Me Impressed!

 

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An early classic from The Replacements 2nd album, Hootenanny.

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The Original

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The Replacements:

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THE CLASH of Cover Tunes

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Asylum Street Spankers vs. Bright Little Field

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Asylum Street Spankers:

A great band from Austin, Texas. Their unique blend of  acoustic blues, early jazz and overall bizarre zaniness make for an outstanding live show. Catch them live or regret it later!

Bright Little Field:

Bright Little Field was formed by Nashville-based ukulele duo Tom Littlefield and Jonathan Bright after the two veteran musicians discovered their shared love for The Replacements. Although both men had done their share of kicking up a racket in their day, they chose a stripped down primal level – ukuleles, pots and pans – to pay homage to The Replacements. The result, Treatment Bound: A Ukulele Tribute to The Replacements, is one of the finer and most creative and enjoyable tribute discs you’ll find. (Mostly lifted from AllMusic)

Bright Little Field is a recipient of CMI’s universally coveted title, Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow.

Bright Little Field ‘s triumphal performance in CMI’s THE CLASH of Cover Tunes competition is detailed below:

10/16/2013 – “Swingin’ Party” (The Replacements) – Bright Little Field (75%) wallop Popland (25%)

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “The Weeping Song” – Nick Cave
THE CLASH of Cover Tunes: Jake Stone vs. Sibyl Vane
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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DDT Did A Job On Me ... Now I Am A Teenage Broccoli!

DDT Did A Job On Me … Now I Am A Teenage Broccoli!

In deference to the recent anniversary of the 9-11 tragedy I chose the greatest song John Lennon ever penned to launch Cover Me Impressed. Needless to say it is beyond disheartening that 42 years after this brilliant plea for peace was introduced it is as pertinent today as the day it was written.

The Original

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Nick Cave & The Bad Seeds:

It’s truly hard to imagine a more sophisticated and debonair dancer than Nick Cave. He’s got moves others can only dream of.

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THE CLASH of Cover Tunes

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Jake Stone vs. Sibyl Vane

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Jake Stone:

Sibyl Vane:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Dancing Queen” – ABBA
THE CLASH of Cover Tunes: Milo Binder vs. Robbie Fulks
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broccoli Fields Forever ...

Broccoli Fields Forever …

Dancing Queen was released by ABBA in August 1976. It is commonly referred to as one of the most successful singles of the 1970s. Dancing Queen became a massive worldwide hit, topping the charts in more than a dozen countries including ABBA’s native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, West Germany, the United Kingdom, Ireland, Mexico,the Netherlands, New Zealand, Norway (where it charted for 32 weeks), making it the 11th best-performing single of all time in that country), South Africa and Rhodesia. Dancing Queen also topped the charts in the United States, ABBA’s only #1 on the Billboard Hot 100 and was a Top 5 hit in Austria, Canada, Finland, France and Switzerland. The song sold over three million copies.

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The Original

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ABBA:

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THE CLASH of Cover Tunes

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Despite the substantial accolades described above this is truly an awful song. The 1970s probably produced the worst body of music in the last century and very possibly the entire history of the planet. And Dancing Queen certainly is exemplary in epitomizing all that was wrong with the 70s music scene; perfectly straight pearly white teeth centering witless, blissful, smiley faced “musicians” donning polyester, pastel leisure suits while assaulting the listening public with insipid lyrics that convey vapid bubble-gum bromides, which were required for the era’s pretentious dance gyrations and subsequent vacuous mating rituals.

Songs of this era are easily mocked and lampooned. Yet, the offerings below are unique and, quite frankly brilliant, in that they manage to make this disaster of a song (i.e. Dancing Queen) sound poignant and as far-fetched as it may seem, even enjoyable! Skeptical, are you? Well, bang on …

Milo Binder vs. Robbie Fulks

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Milo Binder:
Robbie Fulks:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Eve of Destruction” – Barry McGuire
THE CLASH of Cover Tunes: The Dickies vs. Johnny Thunders
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Broccoli Fields Forever ...

The Broccoli Fields They Are Exploding …

Eve of Destruction was written by P.F. Sloan. The song was initially offered to The Byrds but they rejected it. The Turtles then accepted it, including the song on their debut album, It Ain’t Me Babe, which was released in October 1965.

Eve of Destruction was first released by Barry McGuire in July 1965 with P.F. Sloan playing guitar on the track. Two months later (i.e. September 1965) Sloan released his own version of the song.

McGuire’s version of Eve of Destruction was a huge success, reaching #1 on the US Billboard Hot 100 and #3 on the UK Singles Chart.

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The Original

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Barry McGuire:

THE CLASH of Cover Tunes

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The Dickies vs. Johnny Thunders
The Dickies:

Johnny Thunders:

Johnny Thunders holds the distinction of being CMI’s Reigning Exultant Virtuosic Performer of “Eve of Destruction“. Additionally, Thunders is a recipient of CMI’s universally coveted title of Bi Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow.

Thunder’s triumphal performance in CMI’s THE CLASH of Cover Tunes competition is detailed below:

11/10/2013 – “Eve of Destruction” (Barry McGuire) – Johnny Thunders (86%) throttles The Pogues (14%)

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “It’s All Over Now, Baby Blue” – Bob Dylan
Cover Song Competition: Echo & The Bunnymen vs. Kelly Hogan
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Hey! Mr Broccoli Man, play a song for me ...

Hey! Mr Broccoli Man, play a song for me …

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In deference to the recent anniversary of the 9-11 tragedy I chose the greatest song John Lennon ever penned to launch Cover Me Impressed. Needless to say it is beyond disheartening

The Original

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Bob Dylan:

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The Cover Songs Competition

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Echo & The Bunnymen vs. Kelly Hogan

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Echo & The Bunnymen:
Kelly Hogan:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

 

Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.