Archive for January, 2014

Tune du Jour: “I’ll Be There” – The Jackson 5
THE CLASH of Cover Tunes: Me First & The Gimme Gimmes vs. D.A. Sebasstian
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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"Free markets will not prevail without unfettered competition among cover songs." - Milton Friedbyrd

“Free markets will not prevail without unfettered competition among cover songs.” – Milton Friedbyrd

The Jackson 5 recorded I’ll Be There for Motown Records in September 1970. It became the Jackson 5’s fourth #1 hit in a row, making them the first black male group to achieve four consecutive #1 pop hits.

The most successful single ever released by the Jackson 5, I’ll Be There sold 4.2 million copies in the United States, and 6.1 million copies worldwide. It replaced Marvin Gaye’s I Heard It Through the Grapevine as the most successful single released on Motown in the U.S., a record it held until the release of Lionel Richie’s duet with Diana Ross, Endless Love (1981). Outside the U.S., I Heard It Through the Grapevine remained Motown’s biggest selling record with worldwide sales of over seven million copies.

The Original

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The Jackson 5:

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Another #1 Version

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Mariah Carey & Trey Lorenz:

Mariah Carey included I’ll Be There as a last-minute addition to her MTV Unplugged setlist (1992), after she had been informed that most acts on the show commonly performed at least one cover. Carey’s label, Columbia Records, had not planned to release the unplugged version of I’ll Be There as a single but after receiving large-scale requests they relented. I’ll Be There became Carey’s sixth #1 single in the U.S., and her biggest hit elsewhere at the time.

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THE CLASH of Cover Tunes

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Me First & The Gimme Gimmes vs. D.A. Sebasstian

It’s been hours since Me First & The Gimme Gimmes were represented on CMI and, quite frankly, I’ve been receiving a lot of complaints over the perceived slight. So without further ado …

Me First & The Gimme Gimmes:

Me First & The Gimme Gimmes is a recipient of CMI’s universally coveted title of Uni Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold yellow.

Me First & The Gimme Gimme’s triumphal performance in CMI’s THE CLASH of Cover Tunes competition is detailed below:

10/15/2013 – “The Boxer” (Simon & Garfunkel) – Me First & The Gimme Gimmes (60%) stymie Material Issue (40%)

D.A. Sebasstian:

Don’t know what to say about D.A. Sebasstian other than that before hearing his version of “I’ll Be There” on a covers compilation disc, I had never heard of the guy. But his cover was easily the best on the album. Great fun, tremendous cover:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Dancing Queen” – ABBA
THE CLASH of Cover Tunes: Milo Binder vs. Robbie Fulks
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broccoli Fields Forever ...

Broccoli Fields Forever …

Dancing Queen was released by ABBA in August 1976. It is commonly referred to as one of the most successful singles of the 1970s. Dancing Queen became a massive worldwide hit, topping the charts in more than a dozen countries including ABBA’s native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, West Germany, the United Kingdom, Ireland, Mexico,the Netherlands, New Zealand, Norway (where it charted for 32 weeks), making it the 11th best-performing single of all time in that country), South Africa and Rhodesia. Dancing Queen also topped the charts in the United States, ABBA’s only #1 on the Billboard Hot 100 and was a Top 5 hit in Austria, Canada, Finland, France and Switzerland. The song sold over three million copies.

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The Original

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ABBA:

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THE CLASH of Cover Tunes

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Despite the substantial accolades described above this is truly an awful song. The 1970s probably produced the worst body of music in the last century and very possibly the entire history of the planet. And Dancing Queen certainly is exemplary in epitomizing all that was wrong with the 70s music scene; perfectly straight pearly white teeth centering witless, blissful, smiley faced “musicians” donning polyester, pastel leisure suits while assaulting the listening public with insipid lyrics that convey vapid bubble-gum bromides, which were required for the era’s pretentious dance gyrations and subsequent vacuous mating rituals.

Songs of this era are easily mocked and lampooned. Yet, the offerings below are unique and, quite frankly brilliant, in that they manage to make this disaster of a song (i.e. Dancing Queen) sound poignant and as far-fetched as it may seem, even enjoyable! Skeptical, are you? Well, bang on …

Milo Binder vs. Robbie Fulks

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Milo Binder:

Robbie Fulks:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “St Swithin’s Day” – Billy Bragg
THE CLASH of Cover Tunes: Ben Gibbard vs. Mary Lou Lord
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
CoverMeImpressed.com     CoverMeImpressed.com     CoverMeImpressed.com

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Broccoli Fields Forever ...

Broccoli, You’re My Reason To Get Out Of Bed Before Noon …

“It first dawned on Bragg that he was capable of writing such a song in the early 1980s. ‘I played “St Swithin’s Day” to the woman I was living with at the time, and she just burst into tears,’ he recalls. ‘I thought, “OK, that seems to have done the trick.” Because before that, having been a punk rocker, there were other ideas I was trying to get across, there were other feelings I was trying to get out of people.’” – Billy Bragg

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The Original

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Billy Bragg:

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THE CLASH of Cover Tunes

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Ben Gibbard vs. Mary Lou Lord

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Ben Gibbard:

Mary Lou Lord:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Auld Lang Syne” – Guy Lombardo & His Royal Canadians
THE CLASH of Cover Tunes: Me First & The Gimme Gimmes vs. The Smithereens
CoverMeImpressed.com     CoverMeImpressed.com     CoverMeImpressed.com

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Broccoli Fields Forever ...

Broccoli Fields Forever …

Auld Lang Syne was composed by Scottish poet Robert Burns in 1788 and set to the tune of a traditional folk song. The title may be translated into English literally as “old long since”, or more idiomatically, “long long ago”, “days gone by” or “old times”. Consequently “For auld lang syne”, as it appears in the first line of the chorus, might be loosely translated as “for (the sake of) old times”.

Robert Burns sent a copy of the original song to the Scots Musical Museum with the remark, “The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man.” Some of the lyrics were indeed “collected” rather than composed by the poet; the ballad “Old Long Syne” printed in 1711 by James Watson shows considerable similarity in the first verse and the chorus to Burns’ later poem, and is almost certainly derived from the same “old song”.

Sang on New Year’s Eve for literally centuries, the first recorded version of Auld Lang Syne is believed to be by Guy Lombardo & His Royal Canadians.

The Original

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Guy Lombardo & His Royal Canadians:

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THE CLASH of Cover Tunes

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Me First & The Gimme Gimmes vs. The Smithereens

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Me First & The Gimme Gimmes:

The Smithereens:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

Also, keep in mind that if you should spontaneously self-actualize while playing a cover then you could – and probably should – nominate it for Top 10 (i.e. “Impeccable”) consideration.

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Votes can be cast up to seven days from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.