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Cover Me Impressed
With a focus on the 60's-90's music scene, CMI is a Paradiso for Lovers Cover Songs! Each post focuses on a particular song and provides its original and most popular recordings as well as covers versions. Patrons of CMI vote on the most deserving cover version, which will then live to compete again, battling other cover songs in a future post.
Bands, musicians, troubadours, and their ilk, submit your cover songs for future CMI competitions.
CMI welcomes the opportunity to introduce new artists.
Contact RDubbs at RDubbsTunage@gmail.com
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We've Got 'em Covered ...
Rock / Alt-Rock / Rock 'n Roll / Rockabilly / Indie Pop / New Wave / Old Wave / Surf / Reggae / Ska / Punk Rock / Psychobilly / Cowpunk / Alt-Country / Bluegrass / Folk / Croon-Tunes / A Cappella / Motown / Gospel / Blues / Rhythm & Blues / Jazz / Big Band / Lounge / Classical / Celtic / Bossa Nova / Worldbeat / Show Tunes / Cartoons / Bizarro / Musical Calamities
Whenever I hear this song I am always amazed (and a bit dissatisfied) that Johnny didn’t write more of his own material. Such a well-conceived, empathetic tune. Very reminiscent of Phil Ochs, which is about as high a praise as I can give.
The Original
Johnny Cash:
THE CLASH of Cover Tunes
Marc Almond vs. The Bouncing Souls vs. Andy Allo
Marc Almond:
This is from one of the earliest tribute cover albums that I came across (1988)
The Bouncing Souls:
Andy Allo:
SPACE
Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On!??!
Disclaimer: Votes cast from Florida may or may not be counted.
“Free markets will not prevail without unfettered competition among cover songs.” – Milton Friedbyrd
Tainted Love was written by Ed Cobb and originally recorded by Gloria Jones in 1965 as the B-side to the 1965 single My Bad Boy’s Comin’ Home. The single was a commercial flop, failing to chart in either the US or the UK. In 1973, almost a decade after its initial release, British club DJ Richard Searling purchased a copy of the single while on a trip to the United States. Searling introduced the song to the UK club scene, which embraced its Motown-influenced sound and eminent danceability. Due to the newfound underground popularity of the song, Jones re-recorded Tainted Love in 1976 and released it as a single, but that version also failed to chart.
English vocal-and-synth duo Soft Cell (i.e. Marc Almond and David Ball), became aware of the song through its notoriety as a UK club cult hit, and recorded a drastically different arrangement in 1981. Due to the then-dominant synthpop sound of the time, Soft Cell’s version of Tainted Love rapidly reached #1 on the UK singles chart and was 1981’s best-selling single in the UK. On January 16, 1982, Tainted Love charted in the US, entering the Billboard Hot 100 at #90. It appeared to peak at #64 before falling to #100 on February 27. However, after spending a second week at #100, it started climbing again and 19 weeks later it cracked the US Top 40. The song eventually reached #8 in the US and spent a then record-breaking 43 weeks on the Billboard Hot 100.
The Original
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Gloria Jones:
Great version of the song. A real shame Jones never charted with it.
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The Most Popular
Soft Cell:
Wildly popular yet, in my mind, dreadful when compared to Gloria Jones’ original version.
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THE CLASH of Cover Tunes
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Finger vs. The Lost Fingers
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Finger:
The Lost Fingers:
For those interested, The Lost Fingers’ studio version of Tainted Love is also available on YouTube but, despite the occasional annoying static pops, I love this live version:
Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?
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Votes can be cast up to seven days from the day and time of the original post.
Disclaimer: Votes cast from Florida may or may not be counted.