Archive for the ‘THE CLASH of Cover Tunes’ Category

Tune du Jour: “I Wanna Dance With Somebody” – Whitney Houston
THE CLASH of Cover Tunes: David Byrne vs. Alvin & The Chipmonks
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broc 3 - Cover Me Impressed

Everybody’s Dressin’ Funny … Cover Me Impressed!

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The Original

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Whitney Houston:

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THE CLASH of Cover Tunes

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David Byrne vs. Alvin & The Chipmonks

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David Byrne:

Alvin & The Chipmonks (with significant input from The Chipettes):

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Unrelated But Not Without Ample Merit

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You Can Read All About it in the Sunday Papers:

Flying is so much fun! Les Price, a 518-pound Brit, was recently forced to pay for two airplane seats to account for his extra heft, only to discover upon boarding the plane that the seats were not side-by-side! “One was in row 17 and the other in row 19,” said Mr. Price, 43. Nice!

 

Tune du Jour: “It’s the End of the World as We Know It (And I Feel Fine)” – R.E.M.
THE CLASH of Cover Tunes: Discount vs. Pickin’ On Series
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broccoli Fields Forever ...

Broccoli Free Europe …

It’s the End of the World as We Know It (And I Feel Fine) appeared on R.E.M.’s 1987 album Document. It was released as a single in November 1987, reaching No. 69 on the US Billboard Hot 199 and later reaching No. 39 in the UK singles chart on its re-release in December 1991. In an interview with Guitar World magazine published in November 1996, R.E.M. guitarist Peter Buck agreed that End of the World was in the tradition of Bob Dylan’s Subterranean Homesick Blues (a song notable in that RDubbs does not particularly care for it).

The Original

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R.E.M.:

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THE CLASH of Cover Tunes

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Discount vs. Pickin’ On Series

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Discount:

Pickin’ On Series:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Tune du Jour: “1952 Black Lightening” – Richard Thompson
THE CLASH of Cover Tunes: Mary Lou Lord vs. Sean Rowe
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broc 3 - Cover Me Impressed

Says James to the Broccoli, My Hats off to You …

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1952 Black Lightening, one of the all-time great ballads.

“Red hair and black leather, my favorite color scheme…”

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The Original

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Richard Thompson:

Great live version recorded around 2006 when Thompson crashed at my apartment for a few weeks. I dearly love the man but he still owes me $20 dating back to that sojourn!

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THE CLASH of Cover Tunes

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Mary Lou Lord vs. Sean Rowe

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Mary Lou Lord:

Sean Rowe:

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Unrelated But Not Without Ample Merit

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Won’t You Listen to What the Man Says?e)

“Everything will be okay in the end. If it’s not okay, it’s not the end.”   John Lennon as quoted in CNN.com

 

Tune du Jour: “The Night Chicago Died” – Paper Lace
THE CLASH of Cover Tunes:
Frontier Wives vs. Jaak Joala vs No Empathy vs Yo La Tengo
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Broc 3 - Cover Me Impressed

Everybody’s Dressin’ Funny … Cover Me Impressed!

The Night Chicago Died reached number one on the Billboard Hot 100 chart for one week in 1974, reached number 3 in the UK charts, and number 2 in Canada. And why not? This assault on one’s sensibilities had everything you’d look for in a 1970’s hit: rudimentary, grade-school level verses, lyrics teeming with sappy emotion, a simple John Wayne good guys always win in the end patriotic mentality, a catchy chorus that stays with you like herpes and some electric guitar licks to enforce just how hip the song and, by extension, its listeners must truly be. Many would argue that The Night Chicago Died is the worst song of all time. However, they’d be wrong. The song’s potential for infamy is limited to possibly being the second worst song of all time as Billy, Don’t Be A Hero currently and mostly likely always will hold the distinction of being the worst the music world has ever produced. Amazingly, both abominations were first recorded by the same band, the all-time abysmal “Paper Lace”.

“Paper Lace” sent a copy of The Night Chicago Died to then Mayor Richard J. Daley who apparently hated it. So at least there is one minute reason to extend a very small modicom of respect to the man.

The Original

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Paper Lace:

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THE CLASH of Cover Tunes

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Frontier Wives vs. Jaak Joala vs. No Empathy vs. Yo La Tengo

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Frontier Wives:

Okay, these guys’ rendition was included because it looks like they are having a really good time and the raucous audience is definitely enjoying themselves as well.

Jaak Joala:

This guy’s version was included because it is sung in Estonian and any significant change as such to this miserable song is most certainly a welcome relief.

No Empathy:

This version was included because it is forkin’ great and something had to save today’s blog from its own misery.

Yo La Tengo:

Beginning in 1996, Yo La Tengo supported the fundraising efforts of New York’s world-renowned independent radio outlet WFMU with annual studio visits. All listeners who pledged money during the band’s appearances were offered the chance to request a favorite song that Yo La Tengo would then attempt to perform; no rehearsals, no advance word of what the requests might be, just plug it in and kick it out. The spontaneous element is impressive and, at times, hysterical. It is from one of these sessions that Yo La Tengo’s version of The Night Chicago Died was produced.

And so this version was included because … it’s YO LA TENGO so of course it had to be included!!!

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Tune du Jour: “Moonage Daydream” – David Bowie
THE CLASH of Cover Tunes: Anabot vs. The White Stripes
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Everybody's Dressin' Funny ... Cover Me Impressed!

Everybody’s Dressin’ Funny …
Cover Me Impressed!

In honor of one of the most talented, creative and bizarre musicians of our lifetime, Starman David Bowie.

The Original

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David Bowie:

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THE CLASH of Cover Tunes

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Anabot vs. The White Stripes

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Anabot:

I came across this incredibly talented musician last night and have not been able to stop listening/watching her videos all day!

The White Stripes:

Great old recording of The White Stripes. Gotta love the background comment, “Sounds like a weirdo”.

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Oh the disharmony! Much like Harlan County there are no neutrals here. It is your solemn responsibility to decide which cover song prevails. In other words … Which Side Are You On?!!? 

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Disclaimer: Votes cast from Florida may or may not be counted.

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Unrelated But Not Without Ample Merit

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So What’s R Dubbs Been Spinning Lately …
Just for You, Here’s a Dubbs Song!

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Great Song and Damn Good Movie!

“Pop” – Shillaly Brothers:

Tune du Jour: “Paranoid” – Black Sabbath
THE CLASH of Cover Tunes: Ruder Than You vs. Soft Cell
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Paranoid was released in 1970 on Black Sabbath’s second album, which was also titled Paranoid. The song’s popularity in the US started slowly – reaching only as high as number 61 on the U.S. Billboard Hot 100 – but built over time as album rock radio stations played it incessantly. On the other hand, the U.K. fell in love with it immediately.  Paranoid reached number four on the U.K. Singles Chart in 1970 and, amazingly, appeared on that same chart again in 1980, breaking into the Top 20. In fact, unlike the U.S., Paranoid was an immediate success throughout Europe and South Africa. 

Broccoli For Miles And Miles And Miles And Miles And Miles ... Oh Yeah!

Broccoli For Miles
And Miles And Miles
And Miles And Miles …
Oh Yeah!

Among Paranoid’s awards:

1976, NME (United Kingdom) ranked it number 41 on their All Time Top 100 Singles list.

1989, Spin (United States) ranked it number 81 on their 100 Greatest Singles of All Time list.

1989, Radio Veronica (Netherlands) ranked it number 16 on their Super All-Time List.

1994, the Rock and Roll Hall of Fame (United States) named it to their The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll list.

1998, Guitarist (United Kingdom) ranked it number 84 on their Top 100 Guitar Solos of All-Time list.

2004, Rolling Stone (United States) ranked it number 250 on their 500 Greatest Songs of All Time list.

2004, Q (United Kingdom) named it to their 1010 Songs You Must Own! list.

2006, Q ranked it number 100 on their 100 Greatest Songs of All Time list.

2006, VH1 (United States) ranked it number 34 on their 40 Greatest Metal Songs list.

2008, VH1 ranked it number 4 on their 100 Greatest Hard Rock Songs list.

Paranoid is generally thought of as Black Sabbath’s crowning achievement. Yet, it almost did not come to be. According to Black Sabbath’s bass player, Geezer Butler:

“A lot of the Paranoid album was written around the time of our first album,Black Sabbath. We recorded the whole thing in about 2 or 3 days, live in the studio. The song Paranoid was written as an afterthought. We basically needed a 3 minute filler for the album, and Tony came up with the riff. I quickly did the lyrics, and Ozzy was reading them as he was singing.”

And that my friends is how you compose a heavy metal anthem! Can you imagine a world without Paranoid?

The Original

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Black Sabbath:

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THE CLASH of Cover Tunes

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Ruder Than You vs. Soft Cell
Ruder Than You:

Ruder Than You holds the distinction of being CMI’s Reigning Exultant Virtuosic Performer of “Paranoid”. Additionally, Ruder Than You is also a recipient of CMI’s universally coveted title of Uni-Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold orange!

Ruder Than You’s triumph in CMI’s THE CLASH of Cover Tunes competition is detailed below:

11/6/2013 – “Paranoid” (Black Sabbath) – Ruder Than You (71%) expunge The Dickies (29%)

Soft Cell:

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “When The Ship Comes In” – Bob Dylan
THE CLASH of Cover Tunes: 
David Franklin vs. The Clancy Brothers and Robbie O’Connell with Tommy Makem
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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You used to be so amused, At Broccoli Man, and the carrot for a guitar he used ...

You used to be so amused,
At Broccoli Man,
and the carrot for a guitar he used …

When The Ship Comes In appears on Bob Dylan’s third album, The Times They Are A-Changin’, released in 1964. According to Joan Baez, Dylan wrote When The Ship Comes In in a hotel room, incensed, after the clerk initially denied him a room. The clerk had felt the remarkably unkempt Mr. Dylan was not the type of guest the establishment preferred to accommodate. Baez, who was traveling with Dylan, had to intervene on his behalf, vouching for his “good character”.

According to Dylan’s old girlfriend, Suze Motolo, as well as his biographer, Clinton Heylin, an additional inspiration for the song was probably Bertolt Brecht/Kurt Weill’s song, Pirate Jenny. Pirate Jenny, from the Threepenny Opera, tells of Jenny’s dark dream of a mysterious ship that arrives to vanquish her foes.

While these suppositions represent the generally accepted beliefs on the origin of the song, in fact, Dylan’s inspiration for When The Ship Comes In was actually the celebrated composition, I’ll No Longer Shave For You, by the criminally underappreciated Gatorwood Sunshine Singers, a tune that, oddly enough, would not be written until decades later.

The Original

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Bob Dylan:

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THE CLASH of Cover Tunes

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David Franklin vs. The Clancy Brothers and Robbie O’Connell with special guest Tommy Makem

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David Franklin:

The Clancy Brothers and Robbie O’Connell with special guest Tommy Makem:

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Have You Ever Seen the Rain” – Creedence Clearwater Revival
THE CLASH of Cover Tunes: The Ramones vs. Hi-Standard
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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GREAT SONG! Along with Fortunate Son probably Creedence Clearwater Revival’s two greatest numbers (although I’ve also always had a soft spot for Someday Never Comes and Long as I Can See the Light as well). Have You Ever Seen the Rain  was written by John Fogerty and released as a single in 1971. It had originally appeared on Creedence Clearwater Revival’s album Pendulum, released in 1970. The song charted highest in Canada, reaching number one on the RPM 100 national album chart in March 1971. In the US, it peaked at number eight on the Billboard Hot 100 singles chart. And it reached number 36 on the UK’s Pop Singles Chart.

I'm Hooked On The Ceiling I'm High On Believing That You're In Love With Me

It Ain’t Me
I’m Broccoli
I Ain’t No Fortunate One!

Given the polarizing and contentious time in which Have You Ever Seen The Rain was written there has been much speculation as to the true meaning of the song. At the time the US was entangled in a seemingly endless unpopular war and the nation was struggling to make sense of the Kent State shootings. Not surprisingly, most music critics attributed the lyrics to the political and social turmoil of the day. Writing about the song, Have You Ever Seen The Rain, Mark Denning of AllMusic surmised:

“In 1970, a time when the giddy possibilities of political and social change of the late ’60s had been put in check by the sobering realities of Altamont and Kent State and both rock & roll and the youth culture at large were beginning to move away from idealism and into the self-centered decadence of the ’70s, Fogerty was one of the few songwriters grounded enough to suggest the issues had not gone away, but that we had lost the courage and the vision to face up to them.”

Yet, interestingly, Fogerty has stated on more than one occasion that the song had nothing to do with political and societal issues. He contends that it was his lament of the turmoil taking place within the band, Creedence Clearwater Revival. At the time, despite having achieved fame and fortune, the members of the band were in a state of constant conflict with each other. It was particularly upsetting that his brother, Tom, was so dissatisfied that Fogerty felt sure he would soon leave the band. Fogerty’s perception turned out to be accurate. Not only did Tom leave, but the whole band split up the following year.

The Original

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Credence Clearwater Revival:

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THE CLASH of Cover Tunes

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The Ramones vs. Hi-Standard

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The Ramones:

The Ramones hold the distinction of being CMI’s Reigning Exultant Virtuosic Performer of “Have You Ever Seen The Rain“. Additionally, The Ramones are also a recipient of CMI’s universally coveted title of Uni-Victor Melodious Maximus in Adversarial Replication. Among the title’s myriad of rewards and benefits, perhaps most desirous is that it bestows upon the recipient the eminently yearned for privilege of having one’s name appear in print media in bold gold!

The Ramones’ triumphal exploits in CMI’s THE CLASH of Cover Tunes competitions are detailed below:

1/30/2014 – “Have You Ever Seen Rain” (Creedence Clearwater Revival) – Ramones (80%) wallop Minutemen (20%)

Hi-Standard:

Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “The Freshmen” – The Verve Pipe
THE CLASH of Cover Tunes: Bronson Arroyo vs. Mustard Plug
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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Everybody's Dressin' Funny ... Cover Me Impressed!

I Won’t Be Held Responsible…

Man, the successful marketing of this song was truly an exercise in perseverance! The Freshmen was originally released in 1992 in an acoustic format on The Verve Pipe’s first album, I’ve Suffered A Head Injury. For some strange reason the world did not love it. So The Verve Pipe gave us all a second chance, rerecording it as more of a rocker and re-releasing it in 1996 on their third album, Villians. Now we were starting to get it, but not as reverently as a song like The Freshmen so richly deserves. So the band released it as a single…just not the album version. Nope, instead The Verve Pipe enlisted the help of Grammy Award-winning producer Jack Joseph Puig and recorded the song a third time. And you know something? That one was just right! In fact, it was so right that on subsequent pressings of Villians, the original album cut of The Freshmen was expunged and replaced with the Puig-engineered “single” version. The album version was gone, as if it never existed! And it was thusly proclaimed that hence forth, the mere mention of a first and second version of The Freshmen would cause the offending party to be dubbed an Enemy of the State and, as such, summarily banished to the Pointless Forrest… 

The singles rendition of The Freshmen peaked at number 5 on the Billboard Hot 100 chart, thereby proving the age-old adage: If at first you don’t succeed, then try again, and if that doesn’t work then have Jack Joseph Puig do it for you.

The Original

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The Verve Pipe: I’ve Suffered A Head Injury

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The Next Original

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The Verve Pipe: Villians (at least for awhile)

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The Most Popular

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The Verve Pipe: Single

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THE CLASH of Cover Tunes

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Bronson Arroyo vs. Mustard Plug

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Bronson Arroyo:

Yes that Bronson Arroyo! Before tonight I had no idea what a Renaissance man Bronson Arroyo was/is. World Series’ pitcher, nutritionist, studly musician, charter member of the Eddie Vedder Buddyroo Club and world-renowned physicist. Okay, I made the last one up. But I betcha he could be if he wanted to…

Mustard Plug:

I’m fairly certain that the name of this band refers to something disgusting. But I couldn’t tell you why or what it is.

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.

Tune du Jour: “Heroin” – The Velvet Underground & Nico
THE CLASH of Cover Tunes: Beck vs. The Vitamin String Quartet
Peruse, Comment and Vote (I Beseech, Implore and Urge Thee, respectively)
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I've been a Puppet, a Pauper, a Pirate, a Poet, a Broccoli Man ...

I’ve been a Puppet, a Pauper, a Pirate, a Poet, a Broccoli Man …

Here’s a nice and cheery TGIF song. Heroin was first released in 1967 on the self-titled album, The Velvet Underground & Nico. Coming in at over seven minutes long, the song changes tempos from slow to fast to frenetic before reverting back to slow to begin the cycle anew. This turbulent process imitates in a very effective way, the anticipation, the high and ultimately the frenzy of a heroin trip. There’s been much debate as to what Lou Reed was trying to convey about heroin in the song. Many critics assailed it for supposedly glorifying the use of heroin. But Reed claimed the song neither glorified or condemned the use of heroin; it sought only to portray the effect of the drug as closely as possible. In Reed’s words “Heroin is very close to the feeling you get from smack. It starts on a certain level, it’s deceptive. You think you’re enjoying it. But by the time it hits you, it’s too late. You don’t have any choice. It comes at you harder and faster and it keeps on coming. The song is everything but the real thing.” Music critic, Mark Deming, of AllMusic concluded, “While Heroin hardly endorses drug use, it doesn’t clearly condemn it, either, which made it all the more troubling in the eyes of many listeners.”

Heroin is one of The Velvet Underground’s most influential compositions. In 2004, Rolling Stone placed it #455 on their list of the 500 Greatest Songs of All Time. In addition, Heroin is included in The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll.

 

The Original

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The Velvet Underground & Nico:

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THE CLASH of Cover Tunes

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Beck vs. The Vitamin String Quartet

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Beck:

The Vitamin String Quartet:

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Oh the disharmony! Much like Harlan County there are no neutrals here. Only one cover tune will live to play another day and it is your solemn responsibility to decide which one prevails. So tell me … Which Side Are You On?!!?

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Votes can be cast up to three months from the day and time of the original post.

Disclaimer: Votes cast from Florida may or may not be counted.